- Home
-
Our Books
-
Poetry
>
- Dreamer Paradise
- Slow Return
- Father Elegies
- A Plea for Secular Gods
- Nightfall Marginalia
- God in her Ruffled Dress
- us clumsy gods
- Only So Much
- That Blue Trickster Time
- Game
- Pyre
- One Strange Country
- No, Don't
- Time Crunch
- Decoding Sparrows
- Whole Night Through
- The Headwaters of Nirvana
- Interrupted by the Sea
- Imperfect Pastorals
- Mirage Industry
- The "She" Series
- It Looks Worse than I Am
- Perfecta
- Sex Libris
- Start With A Small Guitar
- Tomorrow You'll Be One of Us
- Other Countries
- So Quick Bright Things
- One of Those Russian Novels
- Lizard Dream
- Bling & Fringe: The L.A. Poems
-
Prose
>
- The Manuscripts
- How to Capture Carbon
- Figures of Wood
- Romance World
- Skeletal Lights From Afar
- No One Dies in Palmyra Ohio
- The Eight Mile Suspended Carnival
- What Falls Away is Always
- Keeping Tahoe Blue
- Remembering Dismembrance
- Echo Under Story
- Rhombus and Oval
- Gary Oldman Is a Building...
- The Mysterious Islands
- The Balloon Containing the Water Containing the Narrative Begins Leaking
- Earth Still
- The Shortest Farewells Are the Best
- They Become Her
- The Final Death of Rock-and-Roll
- Brittle Star
- Master Siger's Dream
- Coyote O'Donohughe's History of Texas
- April, May, and So On
- The Origin of Stars and Other Stories
- Frottage and Even As We Speak
- The Time of Quarantine
- The Mermaid at the Americana Arms Motel
- Are We Not There Yet?
- West of Eden
- Art >
- Titles By Year >
-
Poetry
>
-
Authors/Artists
- Kevin Allardice
- Maureen Alsop
- Lisa B (Lisa Bernstein)
- Molly Bendall
- Laurie Blauner
- Rebbecca Brown
- Elena Karina Byrne
- François Camoin
- Kevin Cantwell
- Tamar Perla Cantwell
- Henry Elizabeth Christopher
- Cathy Colman
- AW DeAnnuntis
- Ramon Garcia
- Ash Good
- Gronk
- Katharine Haake
- Stella Hayes
- L.I. Henley
- Mona Houghton
- Rich Ives
- Karen Kevorkian
- Daniel Takeshi Krause
- Rebecca Kuder
- Annette Leddy
- Paul Lieber
- Sarah Maclay
- Holaday Mason
- Bill Mohr
- Rod Val Moore
- Carolie Parker
- María Perez-Talavera
- Bryan D. Price
- David Quiroz
- Chuck Rosenthal
- Forrest Roth
- Jessica Sequeira
- Patty Seyburn
- Katherine Silver
- Judith Taylor
- Lynne Thompson
- Andrew Tonkovich
- Amy Uyematsu
- Cameron Walker
- Jan Wesley
- M.L. Williams
- Gail Wronsky
- Mariano Zaro
- Independent Booksellers
- Submissions
- Contests
- Events/News
- Contact
- Collaborations
- Giant Claw Press
- In Memoriam
- Click Here to Join Our Mailing List
THE SHORTEST FAREWELLS
|
ISBN 9780996227629 |
The Shortest Farewells Are the Best is a clever and hilarious tour de force. With lines culled from dozens of noir films ranging from the famous to the obscure, Chuck Rosenthal and Gail Wronsky have fashioned a brilliant literary collage that is as entertaining as it is thought provoking. I haven’t the foggiest notion of how they came up with the idea for this book, but I’m certainly glad their off-kilter muse paid them a visit.
—Tom Hazuka, editor of Flash Fiction Funny
“Such a lot of guns around town and so few brains.”
“Maybe if I was a little bit smart, I’d be a little bit lucky.”
Never was there a world where people talked like that—precise, salty, bracingly honest—and maybe that’s darn too bad. Meanwhile, we can console ourselves with Chuck Rosenthal and Gail Wronsky’s poems composed of come-ons, smack-downs, threats and enticements spoken by actual B-movie actors. These might read like madhouse non sequitors, but crazy funny, or they might resolve themselves into conversations that seem to make darkly paradoxal sense. The wicked fun the two have with this 40s and 50s dialogue proves what some of us have always suspected, Noir is Poetry’s evil twin. Evil, that is, in a good way.
—Suzanne Lummis, author of the poetry collection Open 24 Hours
—Tom Hazuka, editor of Flash Fiction Funny
“Such a lot of guns around town and so few brains.”
“Maybe if I was a little bit smart, I’d be a little bit lucky.”
Never was there a world where people talked like that—precise, salty, bracingly honest—and maybe that’s darn too bad. Meanwhile, we can console ourselves with Chuck Rosenthal and Gail Wronsky’s poems composed of come-ons, smack-downs, threats and enticements spoken by actual B-movie actors. These might read like madhouse non sequitors, but crazy funny, or they might resolve themselves into conversations that seem to make darkly paradoxal sense. The wicked fun the two have with this 40s and 50s dialogue proves what some of us have always suspected, Noir is Poetry’s evil twin. Evil, that is, in a good way.
—Suzanne Lummis, author of the poetry collection Open 24 Hours
Cover art and logo by GRONK
Copyright 2009-2012 What Books Press. All Rights Reserved.
Copyright 2009-2012 What Books Press. All Rights Reserved.
What Books Press